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The Versatile Master Artist

Chapter 444 - 228: Supreme Honor 4 · Nov 04, 2026

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Chapter List (715)

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401 Chapter 401 - 215: Grinding at the Mill 2026-11-04
402 Chapter 402 - 215: Grinding at the Mill (Part 2) 2026-11-04
403 Chapter 403 - 215: Grinding Away_3 2026-11-04
404 Chapter 404 - 215: Grinding Away_4 2026-11-04
405 Chapter 405 - 216: Hanks’ Major Discovery 2026-11-04
406 Chapter 406 - 216: Hanks’ Great Discovery (Part 2) 2026-11-04
407 Chapter 407 - 216: Hanks’ Great Discovery (Part 3) 2026-11-04
408 Chapter 408 - 217: Mrs. Sakai’s Visit 2026-11-04
409 Chapter 409 - 217: Mrs. Sakai’s Visit_2 2026-11-04
410 Chapter 410 - 217: Mrs. Sakai’s Visit_3 2026-11-04
411 Chapter 411 - 218: The True Master 2026-11-04
412 Chapter 412 - 218: The True Master (2) 2026-11-04
413 Chapter 413 - 219: One in a Thousand 2026-11-04
414 Chapter 414 - 219: One in a Thousand 2026-11-04
415 Chapter 415 - 219: One in a Thousand (Part 3) 2026-11-04
416 Chapter 416 - 220: Organizing an Exhibition 2026-11-04
417 Chapter 417 - 220: Organizing the Exhibition (Part 2) 2026-11-04
418 Chapter 418 221: Development Route and The Little Prince Manuscript Revision 2026-11-04
419 Chapter 419 - 221: Development Path and Little Prince Revision_2 2026-11-04
420 Chapter 420 - 221: Development Path and ”The Little Prince” Manuscript Revision_3 2026-11-04
421 Chapter 421 - 222: Everything Is Ready 2026-11-04
422 Chapter 422 - 222: All Is Ready (Part 2) 2026-11-04
423 Chapter 423 - 223: Anna’s Little Thoughts 2026-11-04
424 Chapter 424 - 223: Anna’s Little Schemes (Part 2) 2026-11-04
425 Chapter 425 - 223: Anna’s Little Schemes (Part 3) 2026-11-04
426 Chapter 426 - 224: Clinging to a Big Shot 2026-11-04
427 Chapter 427 - 224: Clinging to Someone Powerful (2) 2026-11-04
428 Chapter 428 - 224: Riding Coattails (Part 3) 2026-11-04
429 Chapter 429 - 225: Elder Cao’s Expectations 2026-11-04
430 Chapter 430 - 225: Elder Cao’s Expectations (2) 2026-11-04
431 Chapter 431 - 225: Elder Cao’s Expectation (Part 3) 2026-11-04
432 Chapter 432 - 225: Elder Cao’s Expectations (Part 4) 2026-11-04
433 Chapter 433 - 226: My Disciple 2026-11-04
434 Chapter 434 - 226: My Disciple (Part 2) 2026-11-04
435 Chapter 435 - 226: My Disciple (Part 3) 2026-11-04
436 Chapter 436 - 226: My Disciple_4 2026-11-04
437 Chapter 437 - 227: Coin Toss 2026-11-04
438 Chapter 438 - 227: Coin Toss (Part 2) 2026-11-04
439 Chapter 439 - 227: Coin Toss_3 2026-11-04
440 Chapter 440 - 227: Coin Toss (Part 4) 2026-11-04
441 Chapter 441 - 228: Supreme Honor 2026-11-04
442 Chapter 442 - 228: Supreme Honor (Part 2) 2026-11-04
443 Chapter 443 - 228: Supreme Honor (3) 2026-11-04
444 Chapter 444 - 228: Supreme Honor 4 2026-11-04
445 Chapter 445 - 229: Competition Goals and Sketch Upgrade 2026-11-04
446 Chapter 446 - 229: Competition Goals and Sketch Upgrade_2 2026-11-04
447 Chapter 447 - 229: Competition Goals and Sketch Upgrade_3 2026-11-04
448 Chapter 448 - 229: Competition Goals and Sketch Upgrade 4 2026-11-04
449 Chapter 449 - 230: Expulsion 2026-11-04
450 Chapter 450 - 230: Expulsion (Part 2) 2026-11-04

Uncle Sakai has already accumulated over one billion dollars in artwork sales, yet he doesn’t dare to say he will have the chance to hold an art exhibition in the Louvre within his lifetime.

Indeed,

this Louvre and the one in France have quite significant differences.

But don’t underestimate the village chief.

An annex of a prestigious university is still prestigious, and the Louvre Abu Dhabi is still the Louvre.

This is not some knock-off.

The United Arab Emirates Royal Family collaborated with France, injecting enough cultural symbolism into the new museum in their capital to capture the world’s attention.

The museum can engage in collaborations too.

Just to use the name ”Louvre,” the UAE paid France six hundred million euros as a co-branding fee.

And that’s not even buying it,

it’s merely renting the usage rights for the next thirty years.

Who dares to say the Louvre Abu Dhabi isn’t the Louvre? Even if you ask the French government, they won’t give a different official answer.

Beyond the ”Louvre” branding.

The museum itself is also the most modern, grand, and prominent art center on the Arabian Peninsula.

Its exhibit scale might not be comparable to the French Louvre or the Metropolitan Museum of Art, but globally, while it may not rank in the top ten, there’s no doubt it’s within the top thirty or fifty.

Da Vinci’s famous paintings, rented!

Napoleon on Horseback’s classic images, rented!

Van Gogh’s self-portrait, rented!

Mondrian’s most classic geometric works, bring them all!

The Louvre Abu Dhabi should be the world’s strangest museum.

Scholars describe institutions like The British Museum as akin to armed robbers storming into homes and looting artworks, representing a style of imperial collections.

Even in the 21st century, it retains an indelible imperial tint.

Meanwhile, the wealthiest sheikhs of the oil-rich nation, draped in cloth, have created an unprecedented way to open museums.

With money speaking, if they can buy, they buy at high prices.

Is it a national treasure you don’t want to sell? No problem, we’ll rent it at a high cost.

A few years ago, the Louvre Abu Dhabi just began its operations, and now it already boasts a collection of famous artworks.

Having a solo art exhibition in a gallery marked with so many master’s imprints is an extremely prestigious honor for all renowned painters around the world.

Gu Weijing pulled out a promotional page printed on copper coin paper from the textbook.

[Ma Shi Gallery’s Represented Artist Dike Anren - ”Meditations on History” (Historical Thoughts Solo Art Exhibition)]

[2017.5.9—2017.7.9]

The promotional page is exquisitely printed, composed of a blend of black-and-white and color.

An invisible dividing line separates the main hall of the Louvre Abu Dhabi, with two backs facing each other on the left and right.

In the black-and-white side stands an old man wearing baggy linen clothes and long-legged stockings, with a head of messy hair.

This attire is most common for Italian men during the Renaissance, representing Da Vinci.

And in the colored photo on the right stands a middle-aged man in profile, naturally representing Ma Shi Gallery’s current lead artist Dike Anren.

On the promotional page, there are two picture frames,

and in front of Da Vinci is none other than the Louvre Abu Dhabi’s treasured ”La Belle Ferronnière” as mentioned by Professor Walter.

In front of Dike Anren, the frame is covered with a mysterious brown velvet cloth.

This highly design-focused and almost religiously solemn promotional page was a gift from the big boss Ma Shi III through his agent Hanks to Gu Weijing.

Ma Shi Gallery and the Louvre Abu Dhabi have a long-term strategic partnership.

From this May to July, right after the end of the Islamic fasting month, Ma Shi Gallery will host a solo art exhibition for its lead artist.

If Gu Weijing can win an award at the Lion City Art Exhibition.

Next year,

Ma Shi Gallery will give this opportunity to Gu Weijing.

Holding a solo art exhibition in the Louvre at the age of 19,

Unprecedented!

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